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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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THE NEED OF THE HOUR: TUSHAR ARUN GANDHI

In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...

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THROUGH THE RADIANCE: AN EXHIBITION OF AMOL PALEKAR’S ART

Through the Radiance it is aptly called, because as you step into the exhibition at the Jehangir Art Gallery you are captivated by Amol Palekar...

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UNDERSTANDING THE BUSINESS OF HANDCRAFTED TEXTILES OF INDIA

Vinta Nanda has this fascinating conversation with author and chronicler Savitha Suri about Khadi, the name, which belongs to ...

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EMBRACING THE RADIANCE: DIWALI’S ILLUMINATION OF INCLUSIVITY AND LIBERAL VALUES

In the kaleidoscope of cultural celebrations, Diwali stands out as a beacon of light, unity, and diversity, reports The Daily Eye #News...

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REFLECTING INDIA: AN ANALYSIS OF POPULAR SCRIPTED TELEVISION

An intersectional and longitudinal analysis of popular scripted television from 2018 to 2022, has been released by the Geena Davis Institute of...

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BOLLYWOOD TIK-TALK: BRIDGING GAPS AND SHAPING THE FUTURE OF STORYTELLING, AND MUCH MORE

Looks like this is the season of festivals, events and exciting things. From Karan Johar inaugurating Celebrate Cinema at WWI to Shilpa Shetty ...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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JAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED

“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...

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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…

In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...

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